JUNE – JULY 2018
The 11th International Shibori Symposium (11 ISS) spanned three regions of Japan, connecting the contemporary art and fashion hub of Tōkyō, traditional shibori and design centers in Nagoya, and rural folk traditions in Yonezawa and Yamagata.
The symposium explored their shared legacies of craft and local industry:
紅花 • 藍 • 絞 – Safflower, Indigo, Shibori.
Attending the 11 ISS were participants from 17 countries
View more photos on Flickr
The symposium gathered attention from Japanese and international press. View videos, newspaper articles, blogs from attendees, and more on the symposium's publicity page.
Connect With Us
Founded in 1992 during the first ISS held in Nagoya, Japan, the World Shibori Network (WSN) now holds a symposium every few years in different countries across the globe. Sign up for our mailing list to receive updates about when and where the ISS will appear next!
The symposium’s logo 紅花・藍・絞 (Safflower, Indigo, Shibori) was calligraphed by the late Junichi Arai.
Called a genius in the world of textile design by Jack Lenor Larsen, Junichi Arai revolutionized ways to design fibers and to interpret and build weave structures for unique textiles using computers. He was a master of incorporating both traditional and technological finishing processes.
We were honored to have received his last piece of calligraphy before his passing in September 2017, and saluted his memory through its use to promote this international gathering of artists.
Local industries create foundations for the community and environment upon which we build textile practices. Emphasizing sustainability, regional history, and people and their skills, we showcased the enduring legacy of artisans and craftspeople who support traditions and inspire future generations.
Global economies and trade throughout history have heavily influenced the spread of craft practices, the development of taste and aesthetic, and the innovation of new techniques. We investigated how world regions have shaped each other's textile arts through trade.
Technology & tradition
The tension between technology and tradition has long influenced textile arts. We explored the ways in which evolving technology and textile traditions have interacted, from the development of the Chinese drawloom to Issey Miyake’s design of kinetic fashions to the creation of NASA's solar sails.
A core identifier of shibori is the transformative process from 2D to 3D which leaves enduring “memories” on cloth. We emphasized the ways in which textile artists transform materials, through folding, fulling, dyeing, coating, stitching, and other creative methods – innovative, imaginative, artistic, and practical.
Located along the historic old Tōkaidō route, Nagoya is home to Arimatsu-Narumi, a neighborhood with over 400 years of history practicing traditional Japanese shibori and indigo dyeing.
The modern capital of Japan, Tōkyō's dense cosmopolitan metropolis fosters technological innovation and hosts some of the country's top fashion designers and contemporary artists.
Yonezawa & Yamagata
Situated in the northeastern Tōhoku region famed for its folk traditions and natural beauty, Yonezawa and Yamagata boast fields of beni-bana safflower ready for a summer harvest.
Prior to the symposium's start we travelled on two tours to historic Kyōto and a contemporary art mecca in the Setouchi Inland Sea, plus arranged full-day workshops in Arimatsu.
We entered the fields of Yamagata for early morning safflower gathering and processed the harvest into beni-mochi dye cakes and took focused half-day workshops with artisans in Arimatsu and Yonezawa in their family studios.
Call For Entry
We organized five international calls for entry for three shibori exhibitions, fast-paced presentations, and pop-up shops in Nagoya and Yamagata.
Plenary sessions focused on how global and regional trade influences craft, from the spread of resist-dyeing techniques over the Silk Road to sashiko’s origin in the rag trade of the Japanese archipelago.
We viewed ten exhibitions specially organized by and for the International Shibori Symposium, in addition to enjoying timely opportunities at museums in all three regions to view craft traditions and contemporary art.
Many thanks to all of the great committee members, organizers, volunteers and sponsors who made the 11th International Shibori Symposium such a success.